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so let's go back a bit to have a look at the history of Fender amps, at some famous users, and find out which are the best Fender amps you can find today!The Fender musical revolution started before the birth of rock music, just after the end of WW2.Their G12C/S speaker is listed as 99.79 d B, while their G12C is listed at 96.10 d B.The G12C is more than three d B lower, which equates to approximately half the loudness of the C/S.The stage was set for rock'n'roll, and most guitarists from the early days of rock used Fener amps, whether they played a Fender guitar or not: Scotty Moore (Elvis) had a 1952 Deluxe; Cliff Gallup (Gene Vincent) also had a Deluxe; Buddy Holly had a TV-front Pro and a Bassman combo; and Chuck Berry is thought to have used a Bassman in the Fifties (pics and info are sketchy, but later on Berry would use a Fender Pro, and then go on to demand two Dual Showman Fenders as his main amp at gigs - a setup he kept for over 30 years!) When the next generation of Rock'n'Rollers started to make some noise across the Atlantic, they also used Fender amps: British Invasion bands such as The Beatles, Rolling Stones, The Who, Yardbirds and others began to experiment with Fender amps: John Lennon was an early adopter, actually playing a tweed Fender Vibrolux when The Beatles were still starting, and after a well-documented interlude with AC30s, he and George Harrison used a Fender Twin Reverb in the final years, including at the Beatles famous rooftop concert: One little detail not that well-known, is that the Beatles favourite amp was a Fender Bassman, as described on our Revolver Turns 50 blog post.That’s probably a moot point, though—experience tells me that most original speakers in amps of that age are substantially fatigued and generally sound very weak. It's a great-sounding speaker, but with a sensitivity rating of 100 d B, it’s relatively efficient and would probably be pretty loud in that amp.Let’s take a look at a couple speakers from Warehouse Guitar Speakers (wgs4.com) so I can better explain this.
You also mentioned that you’re looking for a speaker option that decreases the overall volume of your amp.
Since his early teens Leo Fender had an interest in electronics, and when he grew up, Leo made a career for himself fixing and building PA systems for musicians, opening his own shop in California.
Leo soon realised that amplifiers needed to be sturdy to withstand the life on the road, and decided to build his own, to care for the needs of travelling musicians such as his customers.
You should be able to find a number stamped somewhere on the speaker’s frame.
The format may look like this: 220 637 Here the number 220 designates the speaker as a Jensen, and 637 indicates a production date of the 37th week of 1956 or 1966.
Jeff Bober is one of the godfathers of the low-wattage amp revolution.