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Now, of course, with the globalization of film, there are so many more opportunities.The cool thing is that while you can make a film with your i Phone, it's still an expensive medium if you want quality - if you want a mix, if you want to do color correction.But don't be strategic about it - just go shoot a movie. HBO was the only company that was buying short-form content, and it was only a little bit every month.But there were thousands of short films being made.As a young filmmaker, I could make something, but how would you get somebody to see it? The only reason I'm one of the most successful guys out of NYU is because I didn't quit.
He used that chance the best way he could, and now he is a renowned director and producer known throughout Hollywood.Hercules, X-Men: The Last Stand, Rush Hour, Tower Heist, Red Dragon, The Family Man, Rush Hour 3, Rush Hour 2, After the Sunset, Money Talks, Movie 43, New York, I Love You, Beverly Hills Cop 4, Horrible Bosses, Mirror Mirror, Horrible Bosses 2, I Saw the Light, Catfish, Rules Don't Apply, I Knew It... You just have to discover who you are and what your interests are. Once all these digital formats came out, companies like Panavision had to step up their game. The guy who directed Saul fia (2015) is probably getting offered 20 movies right now, but he's choosing to go do a movie in his native Hungary. I only got to where I am because I'd shot millions of feet of film before I shot my first movie. I wasn't sitting around reveling in the success of "Rush Hour." I shot like seven movies in seven years. There's The Conversation (1974) and Apocalypse Now (1979) and _The Outsiders (1980). [his advice for young filmmakers] You have to be in it for the right reasons - because you love storytelling. Everyone from Spielberg to Mike Leigh had a strong desire to tell stories.If a short film on You Tube or whatever affects me that way, it comes to my attention and makes me interested in that filmmaker's ability to take me on a journey. The problem is that a lot of filmmakers are trying to define their style. When I was in film school, they separate the wheat from the chaff was films that had a feature look. That's my advice to filmmakers: Have your next movie ready to go. Then I started taking my time to be more strategic about it. [on supporting young filmmakers] When I was a film student at NYU, there wasn't a platform like the internet for filmmakers.The first books were released in March 2009, and were about Marlon Brando, Robert Evans, and Jim Brown.Ratner also has his own magazine called Ratmag, which is being published through celebrity magazine publisher MYMAG.
In 2007 Ratner directed “Rush Hour 3”, and the film was no less of a success than its prequels, but for now it is the last one in the franchise.