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Only the genre's most popular jukebox selections were tabulated, with the chart titled "Most Played Juke Box Folk Records". Starting with the October 20, 1958 issue, Billboard began combining sales and radio airplay in figuring a song's overall popularity, counting them in one single chart called "Hot C&W Sides".
On January 20, 1990, the Hot Country Singles chart was put to 75 positions and began to be compiled entirely from information provided by Nielsen Broadcast Data Systems, a system which electronically monitors radio airplay of songs.
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Fifteen songs accomplished this feat between 19, but none did so again until after the 2012 reformulation; between "Almost Persuaded's" nine-week run in 1966 and the chart's reformulation in 2012, no song spent more than eight weeks atop the chart.
The methodology was changed for the first chart published in 1992 to tally the amount of spins a song received, but in January 2005, the methodology reverted to the audience format.
This change was brought on because of "label-sponsored spin programs" that had manipulated the chart several times in 2004.
The Hot Country Songs chart methodology was changed starting with the October 20, 2012 issue to match the Billboard Hot 100: digital downloads and streaming data are combined with airplay from all radio formats to determine position.
All songs listed for the period when multiple charts were in operation also had shorter runs at number one on the other charts not indicated.
The three charts were merged to create Hot C&W Sides (now Hot Country Songs) in 1958.
The first song to benefit from this change was Taylor Swift's "We Are Never Ever Getting Back Together", which had been declining in popularity but shot up to number one on the chart the first week the change took effect and stayed there until it set an all-time record for the most weeks at No. Billboard has not explicitly defined how it determines what songs qualify for the country chart and which ones do not, only that "a few factors are determined (...) first and foremost is musical composition" and that a song must "embrace enough elements of today’s country music" to qualify.